In the 1972 movie Cabaret, based on the musical by Jewish team John Kander and Fred Ebb, the English expatriate homosexual Brian Roberts (played by Michael York) is horrified when fellow residents of his boarding house explain to him the international conspiracy of Jewish Communists and bankers that they learned about in the pages of the National Socialist Völkischer Beobachter. Indignantly, he denounces them as an “international conspiracy of horses’ asses.”
There is a reason why all would-be “right-thinking” people must be programmed to dismiss such “conspiracies,” for evidence of them surfaces with such depressing regularity that people must be trained not to take notice of it.
The cooperation between Jewish Communists and Jewish capitalists is even more evident in the entertainment business. What follows is just a footnote to my article on “The Teenage Rebellion,” but it serves as a good example of the kinds of connections to which Jews wish to blind us.
While the alien-produced Teenage Rebellion was being imported from the United States to the United Kingdom, the UK branch of the tribe produced a British version of the subversive 1955 American film Blackboard Jungle. This 1961 film was called Spare the Rod.
The film portrays new teacher Max Bygraves who arrives at a tough East London school to find that his modern education methods are not welcome. Sadistic master Gregory (Geoffrey Keen) grabs the rod and thrashes pupils at the slightest sight of trouble, supported by hesitant Headmaster Jenkins (Donald Pleasance). Bygraves eventually makes good progress with the pupils but is fired after a school riot caused by Keen’s brutality.
Now what’s really interesting about this film is not its story of teenage rebellion and adult sadism, but the entertainment outlet that released it. The DVD of Spare the Rod was released by Odeon Entertainment.
I decided to look into the history of Odeon Entertainment, and I discovered that is was created in 1928 by the Jew Oscar Deutsch. Odeon publicists claim that the name of the company is an acronym for “Oscar Deutsch Entertains Our Nation.”
But Oscar Deutsch was doing more than entertaining our nation. He was subverting it too, while he and his nation profited handsomely all the while from our decline.
The picture becomes clearer when we note that Oscar Deutsch was a relative of the Soviet spy Arnold Deutsch, who was the handler of the “Cambridge Five” spy network. While Arnold was controlling Burges, Philby, Maclean, Blunt, and Cairncross, he would often pop in to see Oscar on Friday night Sabbath diners.
Oscar — who was president of his local synagogue, by the way — provided more than spiritual succor and kosher cooking for cousin Arnold. He also gave him employment, in the hope of extending his visa to spy longer in Britain (see The Mitrokhin Archive by Christopher Andrew and Vasili Mitrokhin, p. 103).
Oscar Deutsch died in 1941. Arnold Deutsch was dead by 1942. After Oscar’s death, his company was sold to the Rank Corporation, and eventually his brand name ended up on the DVD of Spare the Rod. Neither Deutsch could have had a hand in the production of Spare the Rod. That is not my point.
My point is simply this: Can anyone seriously believe that Oscar, the capitalist religious Jew, and Arnold, the Communist atheist Jew, did not coordinate their activities around the Sabbath table?
Is it just a coincidence that on both sides of the Atlantic, an entertainment industry dominated by Jews like Oscar Deutsch advances a leftist political agenda defined by Jews like Arnold Deutsch?
Sorry, but I don’t believe in coincidences like that. You’d have to be a horse’s ass.
7 Comments
“Film/Television was to psychological warfare what the atom bomb was to conventional warfare. It completely changed the game. Whoever controlled the films/tv had at their disposal the greatest propaganda weapon in the history of warfare.”
Excellent insight.
Owens hits it out of the park again.
“Oscar Deutsch was a relative of the Soviet spy Arnold Deutsch”
Psychological warfare, propaganda; these are all respected military disciplines. Whites must be so brainwashed that they don’t recognize it when it’s literally right in front of their face. Not only that they freak out when someone says the emperor has no clothes and start screaming “conspiracy theory.”
Hollywood has been crawling with spies – foreign and domestic – not to mention organized crime elements — drugs, sex trafficking, pimping, money laundering, and the like — since the very beginning.
Film/Television was to psychological warfare what the atom bomb was to conventional warfare. It completely changed the game. Whoever controlled the films/tv had at their disposal the greatest propaganda weapon in the history of warfare.
I think whites were especially unprepared for the “culture of critique” attack on normal white morality and the family, they attacked any European Christian standard of morality. Your work on the “teenage rebellion” angle was great, nothing tore apart white families more.
It might be worth noting that Roland Perry has presented a plausible case in his book, The Fifth Man (London: Sidgwick & Jackson, 1994), that the fifth member of the “Cambridge Five” was not John Cairncross but Lord Victor Rothschild.
Yes, Rothschild has been suspected of being a spy for a long time.
Nearly Ten years after Spare the Rod came Please Sir! (1972).
Please Sir! is set at a school called Fen Street and starred John Alderton as Bernard Hedges, a young teacher fresh out of training college. He encounters kids of a disruptive, sexual, mischievous, and rebellious nature. Scenes from the film in no way depict school life now, never mind back then in 1972. The Teachers come across old fashioned, narrow minded, snobbish, out of touch, and boring spoil-sports etc., etc., etc. At the same time the kids seem a nice bunch that just wants a bit of fun. The most worrying part about this film is the cover of fun and entertainment it is masked with. Yes, rebellion served up as fun and entertainment.
Please Sir… was released by Leslie Grade Productions. Leslie Grade was born Laszlo Winogradsky in Tokmak, Ukraine.
By 1979 “The Teenage Rebellion” had sunk to new debts in the form of “multi-culti” gangs fighting a war between each other and the police. The Warriors is a particular nasty film with every type of sub-culture (black and white) one could imagine. The scene is set in and around New York City. One wonders what affect this film had on impressionable and vulnerable kids, back in 1979. In fact, the film was linked to sporadic outbreaks of vandalism and three killings — two in Southern California and one in Boston — involving moviegoers on their way to or from showings. Funny, the same type of violence (minus murder) accrued after showings of Blackboard Jungle.
The film is based on a 1965 novel by Marxist Jew, Sol Yurick. Yurick’s novel borrows (like the film) certain elements from a Greek story Anabasis (Xenophon). Unlike Anabasis, The Warriors is Jew-created fiction. Fiction, just like Blackboard Jungle, Spare the Rod, and Please Sir!
Harry Brown is the final film I will depict that is a more or less a true account of how are young are being turned into mindless, violent pleasure seeking SCUM.
The Rebellion now upon us cannot be stopped in any true conventional way. The Rebellion against ORDER is out of control and about to destroy our people and civilization.
Let us prepare now for the fight ahead.
It might be worth noting that Roland Perry has presented a plausible case in his book, The Fifth Man (London: Sidgwick & Jackson, 1994), that the fifth member of the “Cambridge Five” was not John Cairncross but Lord Victor Rothschild.
Conspire comes from conspirare i.e., com+spirare which literally means “breathe together” that is to say: Do things in the same spirit.
The most natural of behaviors: groups organize and do things in the same spirit.
Thank you for this article, and for mentioning the Mitrokhin Archive. It looks as though it will be a useful resource.