Michael Jackson:
Whiteface Star of the Alchemical Minstrel Show

from On the Contrary, June 26, 2009

We pause in our round-the-clock defamation of Iran to bring you, Michael Jackson.

Our Zionist-controlled media have temporarily shifted from hysterical denunciation of Iran to pious genuflection before the altar of an androgyne.

To the extent that Iran has been demonized, Mr. Jackson is being canonized — as “the” iconic American entertainer. How strange and at the same time, revelatory.

No white actor may wear blackface today, but Mr. Jackson –who reputedly was once a Black man- -wore permanent whiteface thanks to modern surgery and chemicals. His visage was reportedly collapsing faster than his finances. Where are the photos? Why the coverup?

I don’t lament the demise of blackface “entertainment” by white performers, for, as William N. Grimstad documents in his classic work, “Talk About Hate,” the lowbrow shtick of vaudeville and movie “coon song” blackface was a Judaic art-form perfected by Sophie Kalish (“Sophie Tucker” the “World-renowned coon-shouter”), Asa Yoelson (“Al Jolson”), Edward Israel Iskowitz (“Eddie Cantor”) and Joe Yule (“Mickey Rooney”), promoted by moguls like Louis Lazar (“Louis B. Mayer”) and Max Aronson (“Bronco Billy Anderson”), and such early Zionist movie studios as Selig Polyscope.

Jackson was a mirror image of this degraded process, only instead of white greasepaint he resorted to permanent bleach. Was he a Black impersonation of a White transvestite? Or was his alchemy an elaborate fantasy-in-life –a desire to deceive himself into thinking he had actually become a kind of public White aristocrat? In the midst of the idolatry that has followed his death, no one seems to be asking these questions, even as Jackson is portrayed as the focus of the adulation of Blacks the world over. If that’s the case, one can only conclude that most Blacks wish they were White. Yet that conclusion seems dubious, to say the least.

Jackson was the first race-change personality on the world stage. Sad to say, he was sick physically, mentally and spiritually. From his dalliances with young boys to his occult persona as “Captain Eo,” he was the exoteric manifestation of the esoteric putrefaction exuded by a rootless, soulless, deracinated and boastful capitalist System, which demands that conservative nations like Iran follow its degenerate example or face media-generated hate and if all else fails, Israeli bombs. . . . Read the rest of the article