The Culture of Critique
& the Pathogenesis of Modern Society
Part 2

Review of:
Reinhart Koselleck
Critique and Crisis: Enlightenment and the Pathogenesis of Modern Society
Cambridge: MIT Press, 1988

Read Part 1 here.

2. The Culture of Critique

It was the failure to comprehend the nature of the Absolutist State system (its avoidance of divisive political questions of faith and belief) that gave rise to the Enlightenment and its culture of critique.

For once the religious wars came to an end and authority was secularized, European society “took off.”

By the time Louis XIV died in 1715, the bourgeoisie, formerly an important but subordinate stratum of medieval European society, had become the chief economic power of an 18th-century society more and more dependent on its economic prowess. Made up of “merchants, bankers, tax lessees, and other businessmen” who had acquired great wealth and social prestige, this rising class (whose deism and materialism took “political” form in liberalism’s scientistic ideology) was nevertheless kept from State power and powerlessly suffered monarchical infringements on its monied wealth.

Resentful of State authority, the intelligentsia of this rising class took its stand in the private moral realm, which the Absolutist State had set aside for the subject and his moral conscience.

Through this breech between the public and the private, the chief ideologue of this rising bourgeoisie, John Locke, would step. His Essay Concerning Human Understanding – “the Holy Scripture of the modern bourgeoisie” — helped blur the boundary between moral and State law, as the former assumed a new authority and the distinction between the two diminished.

Pace Hobbes, Locke argued that bourgeois moral laws (now divorced from religion and anchored in rationalist notions of self-interest devoid of transcendental reference) had arisen in the human conscience, which the State had exempt from interference. As such, the citizen had a right to pass moral judgements on the State.

Such judgements, whatever the motive, eventually made State law dependent on the consent or rejection — the rule, in effect — of the bourgeoisie’s allegedly “objective” opinion.

In this situation, the bourgeois view of virtue and vice — its “religion of technicity” — took on a political charge, superseding the realm of private individual opinion, as it became “public opinion.”

At the same time, bourgeois critics favored the risk-free sphere of the unpolitical private realm, where they sought to dictate policy. Instead, then, of forthrightly challenging the underlying metaphysical principles of the Absolutist order, they framed their defining metaphysical identity (matters of faith — in this case their godless theology) in moral and economic terms devoid of political responsibility.

Bourgeois morality, not the State’s “reason,” proceeded in this way to take hold of the public — society — and set the standard for the “moral value of human action.”

This opened the way to a reconfiguration of the Absolutist relationship between morality and politics.

The public realm in Locke’s bourgeois philosophy was accordingly re-conceived as a social realm of individual consciences and this realm’s opinion as the “law” that was to bind the public.

Bourgeois morality, as such, not only entered, but soon conquered society, as its private views rose to that of public opinion.

Few, moreover, would be able to resist the pressure of its judgment.

“Reasons of State” were henceforth subject to the secular, calculating “reason” of the bourgeoisie — as “reason” ceased to be the avoidance of civil war and became the self-interest of the rationalist acting individual.

This made society increasingly independent of the State, just as State laws were increasingly subject to the “empowering” moral (and economic) judgments of society.

In the course of the 18th century, the bourgeois as citizen would assume, through his culture of critique, the “rank of a supreme tribunal” — ultimately passing judgment on the State (though doing so safely removed from the day-to-day imperatives of the political realm).

In England, following the oh-so Glorious Revolution of 1688 (a terrible, fateful year, with more to follow, in Irish history), the Whig bourgeoisie, through Parliament, became dominant, entering into an alliance with the constitutionally-bound monarch (William of Orange).

On the more religiously polarized continent, where Absolutist States had a greater role to play, the antithesis between State legislation and bourgeois secular morality (rooted in Protestantism’s critical essence) assumed a different, more antagonistic character.

This continental polarization of morals and politics — compounded by the growing social weight of the bourgeoisie and the discontent generated by its political disenfranchisement — grew in the course of the 18th century, as the bourgeoisie increasingly assumed the leadership of “society.”

Its moral critique of the State and of the ancien régime — a critique posed in secular and rationalist, rather than Christian terms — is what is known as the “Enlightenment,” that metapolitical “culture of critique,” whose light allegedly emanated from the bourgeoisie’s rational conscience (which was modeled in many ways on that of the Jews, for it was based on the dictates of money and its unpolitical affirmation of the private).

Read Part 3 here.