By F. Roger Devlin 3
Louis de Bonald, On Divorce, Part II
Read Part 1 here.DivorceThe reader may be forgiven for wondering why the foregoing matters are discussed at length in a treatise called On Divorce. Today we are inclined to view marriage as a “personal matter.” But it is not. Most obviously, it also concerns the interests of the children it produces:Public power is the guarantor of the commitment of the two spouses to form a...
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Louis de Bonald, On Divorce, Part I
On Divorce Louis de BonaldTranslated and edited by Nicholas DavidsonNew Brunswick, N.J.: Transaction Publishers, 1992On the European continent, Louis de Bonald has long been named alongside Edmund Burke and Joseph de Maistre as a foremost first generation critic of the French Revolution and founder of modern conservatism. De Maistre himself, late in life, wrote to Bonald: “I have...
Read MoreNietzsche’s Critique of Modernity
Editor’s Note: The following is section no. 39 of “Skirmishes of an Untimely Man” from Friedrich Nietzsche’s The Twilight of the Idols.39. Critique of modernity. — Our institutions are no good any more: on that there is universal agreement. However, it is not their fault but ours. Once we have lost all the instincts out of which institutions grow, we...
Read MoreBy F. Roger Devlin 1
The Family Way
Third Ways:How Bulgarian Greens, Swedish Housewives, and Beer-Swilling Englishmen Created Family-Centered Economies—and Why They Disappeared Allan C. CarlsonWilmington, Delaware: ISI Books, 2007Economic science is so imposing an edifice viewed from outside—with its technical paraphernalia, its libraries full of books and journals, its endowed professorships and international...
Read MoreBy Trevor Lynch 2
A History of Violence
David Cronenberg’s A History of Violence (New Line Cinema, 2005) is truly a superb movie, with a tight and economical script (the whole story is told in 96 minutes), a remarkably subtle and gripping performance by Viggo Mortensen (his best ever, in my opinion), excellent performances from the rest of the cast, and an unostentatiously elegant directorial style (unmarred by the...
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