In his new article, “Apoliteic music: Neo-Folk, Martial Industrial and ‘metapolitical fascism’” (Patterns of Prejudice 43, no. 5, December 2009, pp. 431-57), Anton Shekhovtsov suggests that there are two types of radical right-wing music that are cultural reflections of the two different political strategies that fascism was forced to adopt in the ‘hostile’ conditions of [...]
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