By Greg Johnson 3
Interview with Harold Covington, Part 3
Read Part 1 here.Read Part 2 here.TOQ: I really enjoy your novels. I have reviewed the Northwest Quartet, and I have also read Slow Coming Dark, Fire And Rain, and most recently The Stars In Their Path, as well as the collection Other Voices, Darker Rooms. Who are your main literary influences? Which of your works are your favorites and why? Harold Covington: My father was a reader...
Read MoreBy Greg Johnson 4
A Conversation with Craig Bodeker
TOQ: In A Conversation About Race, you explain how you came to be a believer in “white guilt.” How did you come to be a disbeliever? How did you become racially-conscious? Craig Bodeker: By traveling. From my early experiences in the American South and in Hawaii. I was able to see firsthand the differences between racially homogeneous areas — like Minnesota in the...
Read MoreCraig Bodeker Refutes the SPLC
On October 8th, and again on October 9th, Sonia Scherr, of the Southern Poverty Law Center, published two separate and scathing attacks on me and my documentary film, A CONVERSATION ABOUT RACE, on their HATEWATCH website.Ms. Scherr made eight specific points regarding the film’s “errors,” before concluding that I am, in fact, a “racist.” Most critics agree the film does...
Read MoreBy Richard Hoste 0
Hollywood’s Reach — and Limits
From The Occidental Observer, September 12, 2009When a set of beliefs becomes a society’s accepted morality, portrayals of good and evil often take stock forms. I’m younger than the majority of people who will read this, but even I am shocked with how much multiculturalism has replaced the old Ten Commandments morality as the basis of what it’s necessary to believe to be a...
Read MoreBraveheart
Braveheart is THE white nationalist masterwork.Its message is remarkably explicit.Braveheart the movie, and indeed, the life of the historical Sir William Wallace, dramatizes the very central dilemma of Western Civilization.But before you can really understand Braveheart, you must understand The Seven Samurai, that giant of Eastern Nationalism.There is a reason why I reviewed it...
Read MoreBy Hunter Wallace 4
Myth and Self-Interest
My ponderous English friend GuessedWorker of Majority Rights has weighed in on Michael O’Meara’s prize winning essay on White Nationalism and my response to it. He inclines toward the view that a materialist account of ethnic genetic interests will prove more persuasive than seductive mythic appeals in any future White racial rejuvenation in North America.GuessedWorker has...
Read MoreEyes Wide Shut
For some time I have been concerned that we in the nationalist movement pay insufficient attention to culture and the arts. I am convinced that the same sensitive “code” antenna that we apply to news articles can be applied to movies. So let’s place a few under the “Jewelers loop” and discover the deeper meaning.Stanley Kubrick’s Eyes Wide Shut...
Read MoreThe Seven Samurai
It is remarkable really.Back in the 1960s I used to read about a “Marxist” Japanese movie entitled The Seven Samurai which supposedly inspired an equally Marxist (or was it existentialist?) American western knock off entitled The Magnificent Seven starring Steve McQueen. Well, I saw the American version live at the theater and could not discern anything remotely Marxist...
Read MoreThe Soultrean Hypothesis–Ice Age Columbus
Editor’s Note: The following unsigned review is from Altermedia Canada, March 21, 2009. I have added a link to Amazon.com, where the video can be purchased. If you know who wrote this article, please let us know. Special thanks to Michael O’Meara for bringing to my attention.Ice Age Columbus ~ Who Were the First Americans?– Get this DVD and show itto All Your...
Read MoreBy Richard Hoste 2
I’m Through with White Girls:
The Banality of Genetic Destruction
What is the best way to make miscegenation cool? Is it through state sponsored propaganda? If that were the case, Mao would’ve been able to stomp out racism in China and the Soviets in Russia. Hollywood, the agent of change in the West, has been much more successful. Movie producers and writers are much better propagandists than government bureaucrats. Since the goals of...
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