Miscegenation:
The Morality of Death
Editor’s Note: The following unsigned essay appeared in National Vanguard magazine, no. 117 (March-April 1997), 9-12. The pictures and captions have been added by TOQ Online. If you know who wrote this article, please let us know.History has taught us that the most fundamental necessities for the existence of a healthy and progressive White society are the racial quality of...
Read MoreBy Jonathan Bowden 2
Hans-Jürgen Syberberg – Leni Riefenstahl’s Heir
Hans-Jürgen Syberberg, the enfant terrible of modern or post-war German cinema, was born in 1935 of vaguely upper class stock. His father owned landed estates in Eastern Germany before the war and his son lived in Rostock until 1945.Syberberg’s doctoral thesis — very much in the Germanic tradition — concerned the notion of existentialism or the absurd in...
Read MoreBy Trevor Lynch 20
Race-Mixing:
Not Just for Losers Anymore?
When most people see whites dating non-whites, the immediate assumption is that there is something wrong with the white. Usually the defects are obvious. We know why a homely or obese white woman is sleeping with blacks or Mexicans: they are willing to overlook her faults because she is white. We know why a geeky, acne-scarred white man gravitates towards Asians: they are willing...
Read MoreBy Edmund Connelly 1
Fly Me to the Moon, or Whites Need Not Apply
from The Occidental Observer, June 3, 2009I don’t think my previous column could have been more timely. Titled On the Visual Displacement of the White Race, it appeared May 15. One week later, major news media reported that President Obama had chosen a former astronaut and Marine general to lead NASA. This move certainly bolsters my point about the displacement of White men...
Read MoreBy Anthony Hilton 0
About A Conversation about Race
from The Occidental Observer, June 1, 2009“A Conversation about Race” is a film by Craig Bodeker concerning some silly but insidious misconceptions (or misconceptualizations) concerning “race” and “racism” that have become a standard aspect of Western ideology. The film, available as a DVD, was wonderfully reviewed by Greg Johnson in The Occidental...
Read MoreBy Jonathan Pyle 0
Star Trek and the Multi-Racial Future
from The Occidental Observer, May 30, 2009The new Star Trek movie, directed by J. J. Abrams, raises interesting questions about the future of multiculturalism. The film sends two strong messages:1) Diversity is normal. As in the original television series, the cast of characters is a menagerie of distinct races and cultures: Kirk, a White man from rural Iowa; Scotty, a...
Read MoreBy Merlin Miller 0
Americana Pictures—Restoring the Dream
From The Occidental Observer, April 2, 2009I often ask…Where have our heroes gone? At one time, we could find them among us, always visible when danger appeared. They were bigger than life, incredible looking, noble-minded and respectful of all that was good and decent. They were part of a world that honored beauty, skill, and fair play. They were our European-American...
Read MoreBy William Jones 1
Cecil B. DeMille’s The King of Kings (1927)
As the opening date for the release of director Mel Gibson’s film The Passion of the Christ approached in 2004, media-orchestrated anti-Christian hysteria reached a crescendo, Jewry sputtered with rage and clamored for censorship, and organized Judeo-Christians ran interference for the world’s most privileged, brutal, and censorial ruling group. The US Conference of Catholic...
Read MoreBy Trevor Lynch 2
Palefaces:
Stephenie Meyer’s Twilight on Film
Catherine Hardwicke’s movie Twilight is based on the first novel of a series by Stephenie Meyer. The books mostly appeal to young women, and the advertisements for the movie screamed “chick flick,” so I gave it a pass when it was released in theaters. But I admire Joss Whedon’s series Angel, about a vampire with a soul, and when I heard that Twilight...
Read MoreBy Trevor Lynch 2
A History of Violence
David Cronenberg’s A History of Violence (New Line Cinema, 2005) is truly a superb movie, with a tight and economical script (the whole story is told in 96 minutes), a remarkably subtle and gripping performance by Viggo Mortensen (his best ever, in my opinion), excellent performances from the rest of the cast, and an unostentatiously elegant directorial style (unmarred by the...
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