Apr 23, 2010

By 13

Man’s Devolution Across Cycles: Radical Traditionalism on Anthropogenesis, Part 2

The Atlantean Silver AgeHesiod’s poem continues with a discussion of a second age, “which the Celestials call the Silver years.”[24] In this period, man became subject to sickness and mortality. He no longer lived according to the absolute principles provided by his divine tutors during the Golden Age, and paid the gods themselves “no honors.”[25] It is with the...

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Apr 22, 2010

By 14

Man’s Devolution Across Cycles: Radical Traditionalism on Anthropogenesis, Part 1

Concerning the genesis of modern humanity, there are two primary theories that receive credence in anthropological circles. One is the “Out of Africa” hypothesis, which argues that today’s humans are the evolved descendants of a primitive race of hominids that, 70,000 years ago, departed its homeland in Africa and spread across the globe. Upon entering Asia and Europe, these...

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Mar 30, 2010

By 5

Against Nihilism: Julius Evola’s “Traditionalist” Critique of Modernity

With the likes of Oswald Spengler, whose Decline he translated for an Italian readership, and Jose Ortega y Gasset, Julius Evola (1898 – 1974) stands as one of the notably incisive mid-Twentieth Century critics of modernity. Like Spengler and Ortega, Evola understood himself to owe a formative debt to Friedrich Nietzsche, but more forcefully than Spengler or Ortega, Evola saw the...

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Mar 27, 2010

By 4

Interview with Robert Steuckers

When and why did you decide to become involved in politics?I was never actually involved in politics, as I was never a member of a political party. Nevertheless I am a citizen interested in political questions but of course not in the usual plain and trivial way, as I have no intention to become a candidate, council deputy or Member of Parliament.For me “politics” means...

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Mar 23, 2010

By 5

Acéphale

The Headless Monster of “Modern” MasculinityIn 1936, while staying at the coastal village of Tossa de Mar with artist André Masson, George Bataille envisioned the Acéphale, pictured above. The Acéphale was a headless monster who symbolized man’s rejection of hierarchy and God and his escape from the boredom of civilization into a life lost to the pursuit...

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Jan 28, 2010

By 1

American Secondary Teachers

I have been inspired over the last several months by many of the critiques of different aspects of modern society put forth by Alex Kurtagic. The sardonic yet brutally honest way in which he tackles airport security, telephone technical assistance, television—and in his novel Mister, virtually everything comprising modern democratic civilization—corresponds to the way I think...

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Jan 24, 2010

By 23

A White Nationalist Guide to Game

The following words are addressed to white nationalist men. White nationalist men tend to be both misogynistic and single. These phenomena reinforce one another and arise from a common root: an idealistic naivete about the female psyche and how to captivate it. I wish to combat both misogyny and loneliness by recommending greater realism about women.This realism comes from an...

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Jan 6, 2010

By 9

Race & War

One of the most serious obstacles to a purely biological formulation of the doctrine of race is the fact that cross-breeding and contamination of the blood are not the only cause of the decline and decay of races. Races may equally degenerate and come to their end because of a process – so to speak – of inner extinction, without the participation of external factors. In purely...

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Jan 3, 2010

By 27

The Aryan Values of Avatar

The film Avatar is a huge commercial and cultural success. In White Nationalist circles, however, the blockbuster often is labeled as anti-white. (See here, here, and here for examples.) This interpretation of the film illustrates four problems currently manifest in the White Nationalist movement:The tendency to see only skin color when discussing race;A lack of knowledge...

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Dec 21, 2009

By 15

Avatar:
Why do Pandorans get to be Traditionalists?

The blockbuster film Avatar has just been released. It’s about a group of humans who wish to mine the resources of the planet Pandora. The humans are portrayed as white, industrial society imperialists and the Pandorans as pre-industrial, close to nature indigenes. One of the whites is rescued by a Pandoran woman, taken up by the tribe and learns to love their traditional...

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